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Showing posts from April, 2014

The Music of What Happens

We dropped into a bric-a-brac event in East Lothian and I found a copy of The Music of What Happens Poems from the Listener 1965 - 1980. Edited by Derwent May, published by the BBC 1981 and priced at fifty pence. What a bargain as there are poems by many famous dead poets such as Auden, Betjamin, Hughes, Smith, Murdoch, McCaig and Graves as well as some young pretenders, Motion, Muldoon and Szirtes. I've been following and supporting the campaign by BirdLife Malta, Chris Packham and other naturalists who are opposing the illegal hunting of many migrating bird species on Malta. In recognition of all their efforts here's Ted Hughes wonderful poem Swifts. Swifts. Fifteenth of May, Cherry blossom. The swifts Materialise at the top of a long scream Of needle - 'Look! They're back! Look!' And they're gone On a steep Controlled scream of a skid Round the house-end and away under the cherries.Gone. Suddenly flickering in sky summit, three of four together,

The Manchester Writing for Children Prize

Hey! Yesterday I was delighted to hear from the the Inaugural Manchester Writing for Children Prize 2014 that my portfolio of poems has been Highly Commended and that some of them will be published in the forthcoming anthology Let in the Stars. The anthology will be available at the Manchester Children's Book Festival in June and from the website www.mcbf.org.uk/books

Elizabeth Bishop

I've written before about my love of Elizabeth Bishop's poetry and who better to mark springtime. Here's an excerpt from Cold Spring from her eponymous collection 1955. Cold Spring. Now, in the evening, a new moon comes. The hills grow softer. Tufts of long grass show where each cow-flop lies. The bull-frogs are sounding, slack strings plucked by heavy thumbs. Beneath the light, against your white front door, the smallest moths, like Chinese fans, flatten themselves, silver and silver-gilt over pale yellow, orange, or gray. Now, from the thick grass, the fireflies begin to rise: up, then down, then up again: lit on the ascending flight, drifting simultaneously to the same height, --exactly like the bubbles in champagne. --Later on they rise much higher. And your shadowy pastures will be able to offer these particular glowing tributes every evening throughout the summer. 

The new allotment...work in progress.

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Michael O'Siadhail.

I was reading Michael O'Siadhail's Poems 1975-1995,   particularly the selected sonnets from Fragile City and trying to listen to R4's production of Dante's Divine Comedy ( not a good idea to try to do both at the same time). Coincidentally   O'Siadhail's poem Beyond goes, It was years later I thought of Dante's Beatrice, And how once you'd chided me for making fun Of an old man....... You'd seen transparence in a stranger's infinite Gaze. I moved in your light to see the light. His sonnets are full of the qualities of light, poignancy and the subtle meanings deduced from gesture and are very highly recommended. Transit is based in an airport where the poet is, Gazing at all the meetings and farewells among the crowds he notices a couple saying goodbye and the woman, dissolves in crowds. An aura of her leaving glance Travels through the yearning air. Tell me we live For those faces wiped into the folds of our being. Read the